| Title | Against Nature
Against the Grain |
|---|---|
| Original title | À rebours |
| Author | J.-K. Huysmans; a new translation by Robert Baldick |
| Publication | Penguin |
| Size | 220p |
| Language | ENG |
| ISBN | 9780140440867 |
| Topics |
French fiction--Translated into English French fiction--Art Nobility--Fiction Symbolism (Literary movement) |
| Notes | mostly a catalogue of the tastes and inner life of Jean des Esseintes, an eccentric, reclusive aesthete and antihero who loathes 19th-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. À rebours contains many themes that became associated with the Symbolist aesthetic. In doing so, it broke from Naturalism and became the ultimate example of "decadent" literature. Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside. He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et Pécuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris. He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement. [wikipedia] |